|
  
  
 
|
 |
 |
|
|
|
|
|
|
 |
| |
 OCTOBER
2003
|
Seminar:
Joaquín
Rodrigo and Spanish musical composition in the nineteen
forties.
Following
the many events that were organized in tribute to Maestro
Joaquín Rodrigo on the Centenary of his birth, extensive
studies on this composer have stimulated further research
concerning his musical production.
Recent
scientific encounters and collective essays have examined
periods in Spain which until recently were not well explored
or understood, such as the years following the Spanish Civil
War and the Second World War.
This
is the background for the Agreement which was signed for
collaboration between the Victoria and Joaquín Rodrigo
Foundation and the University of Valladolid and the Complutense
University of Madrid, and led to the organization of this
seminar Joaquín Rodrigo and Spanish musical composition
in the nineteen forties. The seminar will deal with
two subjects: the works of Maestro Joaquín Rodrigo
and Spanish music in the nineteen forties, both of which
today are of maximum interest to Spanish musicologists.
|
| Date: |
October
22-24, 2003 |
| Place: |
Music
History and Science of Music Department.
Faculty of Philosophy and Letters, University of Valladolid,
Spain. |
| Program: |
Wednesday, October 22, 2003
19:00 : Inauguration and reception |
| |
Thursday, October
23, 2003
First Session: Joaqu’n Rodrigo
and Spanish musical composition in the nineteen forties
10:00-12:00 : Lectures
Speakers: Javier Suárez-Pajares
(Complutense University of Madrid); Pedro J. de la Peña
(President, Valencian Association of Writers and Literary
Critics); Ramón Arce (Composer and musicologist)
Christiane Heine (University of Granada). Subjects: Joaquín
Rodrigo and Spanish music in the nineteen forties. Joaquín
Rodrigo: A lifetime dedicated to beauty Spanish Chamber
Music in the nineteen forties:considerations on form and
style for string quartets The aesthetic framework.
12:30-12:45: Break.
12:45-14:00: Discussion.
16:00-18:30: Free presentations
18:30-19:30: Discussion.
19:30: Recital by Roberto Morón.
|
| |
Friday, October 24, 2003:
Second Session: Music, Politics,
Historiography.
10:00-12:30: Lectures.
Speakers: Emilio Casares Rodicio (Complutense University
of Madrid); Gemma Pérez Zalduondo (University of
Granada); Xoan Manuel Carreira (Director, Mundoclásico);
Carmen Rodriguez Suso (University of the Basque Country);
Carlos Villar Taboada (University of Valladolid).
Subjects: Music, Politics and Historiography Continuity
and Ruptures in Spanish Music in the early years of the
Franco Regime. Ties between Political Institutions
and Musical Life in Bilbao Music in Galicia before and after
1937: The forties.
12:30-12:45: Break.
12:45-14:00: Discussion.
16:00-18:30: Free presentations.
18:30-19:30: Discussion.
19:30-20:00: Break.
20:00: Closing Session and Concert of Chamber Music, by
the violinist Agustín León Ara.
|
| |
|
| Registration |
Attendance will
be of two sorts: the general public and active participants
who present talks. Registration is free for active participants
giving a presentation a 10 Euro fee is charged for students
with student IDs a 30 Euro fee is charged for the rest of
those attending. |
| |
Please send the
registration form to the postal or e-mail address indicated
below on or before October 3, 2003 Registration will be complete
once the fee has been received, according to instructions
in the final program. |
| |
Instructions
for free presentations: Each participant will have 12 minutes
to present his talk. The following subjects will be favorably
considered: analysis of Joaquín Rodrigo's works, music
in the nineteen forties, relationship between music and politics,
how political or educational institutions work, reception
of repertoires, criticism, musical theory, etc. in the nineteen
forties in Spain. |
| |
|
| |
For further
information contact: taboada@fyl.uva.es |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
|
|
