BALLET Choreography of the Concierto Serenata by Alicia Alonso
 


Alicia Alonso, director of the Ballet Nacional de Cuba, will premiere her choreography of Joaquín Rodrigo's "Concierto Serenata" for harp and orchestra on June 4, 2008 in Havana, Cuba.
The ballet, under the title of "Serenata Goyesca", will take place in the Sala García Lorca of the Gran Teatro de La Habana, as part of the 20th Festival La Huella de España. It will be presented again during the Festival Internacional de Ballet de La Habana, which will be held starting October 28, 2008.

HOME AND MUSEUM Joaquín Turina Conservatory visits the home and museum of Joaquín Rodrigo


On February 28, 2008, a group of Professor Ana Benavides’ students from the Joaquín Turina Conservatory of Madrid visited the headquarters of the Victoria and Joaquín Rodrigo Foundation, the composer’s home which is preserved as a museum, and gave a recital, on the Maestro’s own piano, together with a series of comments on his life and works, in a festive celebration of Joaquín Rodrigo’s music.

MIDEM '08 Ediciones Joaquín Rodrigo at MIDEM 2008

El MIDEM celebra al Maestro Joaquín Rodrigo en formato audiovisual, y lanza la recién descubierta Toccata

Cecilia Rodrigo y el periodista de RNE-Radio 3, José Miguel López, durante la entrevista que se emitió en directo desde el stand de Radio France en MIDEM.

 

FOR CHILDREN BOOK: Joaquín Rodrigo and Per la flor del lliri blau
 

Published by Susaeta, within the collection Making music with..., this charming book for children with text by Montse Sanuy and illustrations by Violeta Monreal. Includes a CD with fragments of music by the composer.

TRIBUTES  

 

 

On September 21, 2006, the Mayor of Aranjuez presented Cecilia Rodrigo the
Tourism Prize "City of Aranjuez", awarded to Joaquín Rodrigo.

In the first edition of the Tourism Prizes "City of Aranjuez" the winner was
given a small statue, created by the artist Mauricio Jimenez Larios.

 

 

 

The City Council of Almenara, Castellón, has given the name of Joaquín Rodrigo to a plaza in one of the new expansion areas of the city. A sculpture was commissioned as a tribute to the composer.

The tribute took place on July 1, 2006, together with the ceremony whereby the town of Quartell was declared sister city to Almenara. The Band from Quartell performed several pieces together with the Band of the Santa Cecilia Musical Association of Almenara.

 
COMPETITION  

Chronicle of the Rodrigo Competition 2006  

The 3rd Edition of the Joaquín Rodrigo International Competition closed in Madrid on June 1, 2006, with an exciting final round in the Auditorio 400 of the Reina Sofía Museum, for which three finalists were selected in each discipline, guitar and voice.

The competition was inaugurated May 24th at the headquarters of the Spanish Author’s Society, the art-deco Longoria Palace, where the thirty young musicians who were preselected gathered for registration. There were twenty different nationalities represented among the 17 guitarists and 13 singers participating in the event.

The jury for guitar was composed of the guitarists Ernesto Bitetti, Carlos Bonell, Ricardo Gallén, Hubert Käppel, and Nikita Koshkin. For the discipline of voice, the jury members were Manuel Cid, Josef Hussek, Ana Higueras, Alicia Nafé and Patricia Rozario. Presiding both jurys was the orchestra conductor Miguel Ángel Gómez Martínez, and the vice president was Thomas Daniel Schlee, composer and director of the Carinthia Festival in Austria.

The first round and semi-finals took place over a period of five days at the splendid Royal Academy of Fine Arts of San Fernando’s Sala Guitarte. There were eight semifinalists for guitar : G. Krawiec (Poland), N. Rodionova (Russia), S. Montes (Chile), C. Pérez González (Chile), A. Montesinos (Spain), G. Chiche (France), A. Parfinovich (Russia) and I. Zamfirescu (Rumania) ; and six semifinalists for voice : A. García Tellería (Venezuela), F. González Moreno (Venezuela), G. Ólafsdôttir (Iceland), S. Casas (Spain), H. Cardeña (Spain) and E. González Díaz (Spain).

And the winners were : First Prize Guitar, Carlos Pérez González (Chile, 1976), prizewinner in a long list of international competitions, with a brilliant performance of Concierto de Aranjuez. Thanks to this award, apart from the cash prize of 12,000 Euros, the winner will tour in Spain and abroad, giving concerts and recitals in the coming months.

Carlos Perez expressed his excitement vividly in the following message sent a few days after his return to Chile : « I want to say how grateful and happy I am for receiving the Joaquín Rodrigo Prize. I worked with great concentration for this event, and am thrilled to think what incredible support this will be for my artistic development. »

In the discipline of guitar, the other prizewinners were Anabel Montesinos Aragón (Reus, Spain, 1984) Second Prize of 6,000 Euros plus recitals in Spain, performing Concierto de Aranjuez, and the Russian Andrey Parfinovich (1983) Third Prize of 3,000 Euros, with the Fantasía para un gentilhombre.

In the final round for voice, the First Prize was not awarded, and the Second Prize (6,000 Euros plus recitals in Spain) went to Gudrun Ólafsdôttir, from Iceland, now living in Spain, for her performance of Cántico de la esposa and Tríptic de Mossèn Cinto. She was also the recipient of the Prize for Best Performer of Joaquín Rodrigo’s Music, common to both disciplines in the contest. Fabiola González Moreno (1973) from Venezuela, received the Third Prize for voice (3,000 Euros) on her performance of Rodrigo’s Rosaliana and Cuatro madrigales amatorios.

A great ovation was accorded to the premiere of Toccata, the unpublished work for guitar solo written by Rodrigo in 1933 and recently discovered in the Sainz de la Maza Archive. Toccata was performed, while the Jury was deliberating on the awarding of prizes, by Marcin Dylla of Poland, winner of the 1st Edition of the Joaquín Rodrigo International Competition in 2002.

The Victoria and Joaquín Rodrigo Foundation, organizers of this Competition, has promoted a DVD recording of the final round, which will be issued on the commercial label ‘Sello Autor’.

Another outstanding event, which took place within the framework of the Competition, was the presentation of the book « Joaquín Rodrigo. A life in music. Travelling to Aranjuez », the first biography of Rodrigo in English, written by the musicologist and guitarist Graham Wade. In this book, Wade analyzes the close relationship between Rodrigo’s life and his creative production.

The organizers and the composer’s family would like to express with these lines their gratitude to all the contestants in this Competition, which in spite of its youth, has already brought to light some of the greatest promises in the world of music. The high level of the participants was a common denominator, and judging by the warm messages that are arriving, they all felt like winners. One of the preselected guitarists wrote :

« I would like to underline the high degree of respect the Organization showed to all the contestants and the opportunities they gave us to become better acquainted with the life and the works of Maestro Rodrigo.

Personally, it was an honor for me to travel to Madrid, to meet so many other young performers, and participate in what is certainly one of the most important international competitions for up-and-coming musicians worldwide. I noticed that the Competition was organized with loving care by the composer’s family, and I sincerely hope that it will continue to be held for many years, maintaining alive the marvellous music of Joaquín Rodrigo. »
Guilherme Vincens, Brazil

Áurea Roldán, Enrique Loras, Cecilia Rodrigo and Miguel Ángel Gómez Martínez on opening day for The Joaquín Rodrigo International Competition 2006 in the Manuel de Falla Hall at SGAE.
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From left to right: Isabel Martínez Cubells, Cecilia Rodrigo, Miguel Ángel Gómez Martínez, Patricia Rozario, Ernerto Bitetti, Carlos Bonell, Nikita Koshkin, Hubert Käppel, Ricardo Gallén, Thomas Daniel Shlee, Ana Higueras, Josef Hussek, Alicia Nafé y Manuel Cid. Walking across the stage, Santiago de Rábago, great-grandson of Joaquín Rodrigo.
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Carlos Pérez González (Chile), winner of 1st prize, guitar.
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Anabel Montesinos (Spain) y Andrey Parfinovich (Russia), 2nd and 3rd prizes, guitar.
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Gudrún Ólafsdòtir (Iceland) on the left, and Fabiola Gómez Moreno (Venezuela) on the right., 2nd and 3rd prize, voice, respectively.
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Left, Marcin Dylla performing Toccata in the world-wide premiere. On the right Cecilia Rodrigo, Pepe Romero and Marcin Dylla at the end of the world-wide premiere.
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Presentation of book by Graham Wade "Joaquín Rodrigo. A life in music. Travelling to Aranjuez".

Ana Diosdado awarding the 2nd prize for guitar to Anabel Montesinos.

 

 

 

Records  

Joaquín Rodrigo, el niño que soñó la música
("The little boy who imagined music)


The inspiring story of the young blind boy who dreamed of being a musician, and went on to become a great composer. (In Spanish)


CONCIERTO DE ARANJUEZ
First recording (1948)
Latino Grammy Prize to best historical recording

CONCIERTO ANDALUZ
One of Joaquín Rodrigo's most popular concertos, inspired by Andalusian Folklore.

The story of his childhood in Valencia, immersed in the aromas and sounds that awakened him to music; his arrival in Paris, accompanied by his "lazarillo" (guide), to study composition; the story of his romance with a young Turkish pianist; the drama that surrounded Concierto de Aranjuez; the magic call of inspiration...


Joaquín Rodrigo, el niño que soñó la música
is the fruit of a joint effort by Universal and the Victoria and Joaquín Rodrigo Foundation to bring children closer to the figure of this great Spaniard, combining entertainment with educational goals. The result is a fresh new CD, on the Philips label, where the stor (in Spanish), with script by Eduardo Moyano, is interlaced with short fragments of Rodrigo's works, and includes a booklet with delightful illustrations by Teo Puebla. All masterfully tied together by the captivating voice of the narrator, Iñaki Gabilondo.

 

Joaquín Rodrigo must rightfully be accompanied by his most emblematic work, Concierto de Aranjuez. However, this is not just one more version, but the original historical recording, a jewel recovered from the past, an obligatory reference for all those interested in hearing the most genuine of all performances; by the guitarist Regino Sainz de la Maza, to whom the Concierto was dedicated, and Ataúlfo Argenta, conducting the National Orchestra of Spain. Dating from 1948, this recording won a Latino Grammy award for quality recordings of historical relevance in 2001, the year of Joaquín Rodrigo's Centenary celebration.

The CD is completed with Concierto andaluz, for four guitars and orchestra, written for the famous guitar quartet "Los Romeros", and performed with the Academy of St. Martin in the Fields Orchestra, conducted by Sir Neville Marriner. This work, composed in 1967, has become one of Rodrigo's most popular concertos. Inspired in Andalusian folklore, but with original themes by the composer, the lyrical beauty of the second movement, Adagio, is offset by the dazzling cadences of the four soloists and a vigorous "zapateado".

 

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